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Katrina ? You mean Katrina Kaif ?ROFL Best Actress Hillarious :lol:
I hope Kareena Wins!
Discuss: Best Actor & Best Actress 2009 Who Will It Be?
#331
-PiNk PrinCess- 
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Posted 19 November 2009 - 03:00 PM
#334
Jay♥Simran
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Posted 19 November 2009 - 10:41 PM
^that's exactly what I think too. Kareena for Kurbaan & Big B for Paa
#337
desi_gal
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Posted 19 November 2009 - 11:20 PM
The Kurbaan trio aka Omkara trio need to be rewarded!
"This is best performance by Saif since Ek Haseena Thi. Forget Langda Tyagi, this is probably his toughest role, where he has to look like a typical hero, who's actually a terrorist. Saif has really portrayed the role very well. While his charms conceal his real identity, his eyes and mannerisms clearly spell his purpose. Kareena is Saif's antithesis, and she portrays the flips side of terrorism. She delivers yet again, only wished that she had more screen time!
Vivek is a real scene stealer, and a revelation! This is his return to form. If Company was raw intensity, this one is refined rage. Vivek's supporting turn should fetch him an award for sure!"
"This is best performance by Saif since Ek Haseena Thi. Forget Langda Tyagi, this is probably his toughest role, where he has to look like a typical hero, who's actually a terrorist. Saif has really portrayed the role very well. While his charms conceal his real identity, his eyes and mannerisms clearly spell his purpose. Kareena is Saif's antithesis, and she portrays the flips side of terrorism. She delivers yet again, only wished that she had more screen time!
Vivek is a real scene stealer, and a revelation! This is his return to form. If Company was raw intensity, this one is refined rage. Vivek's supporting turn should fetch him an award for sure!"
#338
-Anjaani-
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Posted 19 November 2009 - 11:23 PM
Yayyyyyy Go Vivek! :hug:
Im still for Shahid and Prii..but maybe i will change my opinion after watching Kurbaan..
But both Prii n Shahid DESERVE an award for their outstanding performances in Kaminey! :clap:
Im still for Shahid and Prii..but maybe i will change my opinion after watching Kurbaan..
But both Prii n Shahid DESERVE an award for their outstanding performances in Kaminey! :clap:
#339
iluvbw87
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Posted 20 November 2009 - 04:06 AM
I think PC and Amithab might win the best actor critic award and best popular actress probably will goes to Kareena.
For best popular actor is going to be between Shahid and Saif.
For best popular actor is going to be between Shahid and Saif.
This post has been edited by iluvbw87: 20 November 2009 - 04:11 AM
#341
Giggles
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Posted 22 November 2009 - 02:05 AM
^^Well I haven't had time to read most of the reviews for Kurbaan yet, but the few that I did read had amazing comments about Vivek's performance.
Apparently, Saif hasn't been appreciated as much?
Apparently, Saif hasn't been appreciated as much?
#342
Bad_Witch
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Posted 22 November 2009 - 07:59 PM
I have seen kurbaan and there is absolutely no competition for kareena in the BA category this year, hands down she was outstanding and there is no-one in comparison to her.
Vivek will win best supporting too without a doubt and I sincerely think Saif ALi khan was superb in a role which was very difficult to play, its more of a challenge to play such characters where you cant give away any emotions.
Vivek will win best supporting too without a doubt and I sincerely think Saif ALi khan was superb in a role which was very difficult to play, its more of a challenge to play such characters where you cant give away any emotions.
#343
desi_gal
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Posted 22 November 2009 - 08:44 PM
Saif's role was harder than Vivek and Kareena's. He's so dynamic in real life, but in the movie, eh comepltely completely became Ehsaan. He kept everything inside and made do with his silence and eyes. Very sinister character!
#345
desi_gal
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Posted 22 November 2009 - 10:13 PM
Kareena should win. And the standards were just RAISED.
Vinod Ashvin Ravi
On Saturday 21st November 2009, @Vin2712 said:
“Kurbaan”. Every member of the varied cast is in fine form, and the beautiful portrayal of each and every character only makes the entire framework of “Kurbaan” sizzle more. Saif Ali Khan, with this movie, shows his extraordinary range this year, from a young, modern, urban-minded lover boy in “Love Aaj Kal” to a grim, serious, brooding terrorist threatening to be derailed from his goal by love. In both his movies this year, his characters have expressed disbelief in the concept of love, albeit in wildly disparate contexts. The goatee he has grown to change his look for the film, as well as his immensely emotive eyes, exemplify the blinded intensity of his character in the first half, and the confusion and change of heart in the second half, with equal aplomb. In a film full of determined individuals committed unwaveringly to their respective causes, Ehsaan (or Khalid, as it is later revealed) is the only one who wavers, making his character unique, and his performance, highly praiseworthy.
I have long believed that, barring only Kajol, Kareena Kapoor is by far the most talented active actress on the current Bollywood scene. She has got both the substance as well as the style, and her glares can be as seductive as they can be spine-chilling. The problem with her is that she often gets stuck in these ‘’glamour-quotient’ roles where all that is expected of her is that she looks good, swings her head, wears good dresses, and visually engenders the male section of the audience with her drop-dead gorgeous presence. Thankfully, like 2007’s “Jab We Met”, Karan Johar gives her a fully fleshed-out, author-backed role as the wife who suffers shocking betrayal yet is conflicted by the equal measures of love and hate for her husband, and Kareena emerges a champion. She has, in my opinion, given arguably the best performance of her career (quite a tall order, indeed), often using only her eyes and facial features to convey the multitude of emotions. And her dialogue delivery, be it the shyness she expresses at the start, or the desperate quivering she resorts to in the second half, is all pitch-perfect. She has hardly any make-up on for most of the film, but still manages to light up the screen every time she’s on it. In particular, for example, watch the last five minutes of the film, and behold the titanic power of acting, courtesy of Kareena Kapoor.
Vivek Oberoi, an actor who has delivered so many flops he was on the verge of fading into oblivion from the Bollywood firmament, comes up with a remarkably convincing performance this time round. As the journalist who joins the terror cell to avenge their merciless killing of his girlfriend, he puts his smoldering personality to good use, as well as an organic American accent, making his Muslim-born-in-America act seems genuine. However, he is still handicapped by his inability to emote effectively through his eyes, and once again, tries to be Shah Rukh Khan and fails, overacting the sense of fear in the climax scene. Still though, on the whole, it’s a more-than-proficient performance, and leagues ahead of all the other cinematic garbage he’s treated us to in recent times.
Vinod Ashvin Ravi
On Saturday 21st November 2009, @Vin2712 said:
“Kurbaan”. Every member of the varied cast is in fine form, and the beautiful portrayal of each and every character only makes the entire framework of “Kurbaan” sizzle more. Saif Ali Khan, with this movie, shows his extraordinary range this year, from a young, modern, urban-minded lover boy in “Love Aaj Kal” to a grim, serious, brooding terrorist threatening to be derailed from his goal by love. In both his movies this year, his characters have expressed disbelief in the concept of love, albeit in wildly disparate contexts. The goatee he has grown to change his look for the film, as well as his immensely emotive eyes, exemplify the blinded intensity of his character in the first half, and the confusion and change of heart in the second half, with equal aplomb. In a film full of determined individuals committed unwaveringly to their respective causes, Ehsaan (or Khalid, as it is later revealed) is the only one who wavers, making his character unique, and his performance, highly praiseworthy.
I have long believed that, barring only Kajol, Kareena Kapoor is by far the most talented active actress on the current Bollywood scene. She has got both the substance as well as the style, and her glares can be as seductive as they can be spine-chilling. The problem with her is that she often gets stuck in these ‘’glamour-quotient’ roles where all that is expected of her is that she looks good, swings her head, wears good dresses, and visually engenders the male section of the audience with her drop-dead gorgeous presence. Thankfully, like 2007’s “Jab We Met”, Karan Johar gives her a fully fleshed-out, author-backed role as the wife who suffers shocking betrayal yet is conflicted by the equal measures of love and hate for her husband, and Kareena emerges a champion. She has, in my opinion, given arguably the best performance of her career (quite a tall order, indeed), often using only her eyes and facial features to convey the multitude of emotions. And her dialogue delivery, be it the shyness she expresses at the start, or the desperate quivering she resorts to in the second half, is all pitch-perfect. She has hardly any make-up on for most of the film, but still manages to light up the screen every time she’s on it. In particular, for example, watch the last five minutes of the film, and behold the titanic power of acting, courtesy of Kareena Kapoor.
Vivek Oberoi, an actor who has delivered so many flops he was on the verge of fading into oblivion from the Bollywood firmament, comes up with a remarkably convincing performance this time round. As the journalist who joins the terror cell to avenge their merciless killing of his girlfriend, he puts his smoldering personality to good use, as well as an organic American accent, making his Muslim-born-in-America act seems genuine. However, he is still handicapped by his inability to emote effectively through his eyes, and once again, tries to be Shah Rukh Khan and fails, overacting the sense of fear in the climax scene. Still though, on the whole, it’s a more-than-proficient performance, and leagues ahead of all the other cinematic garbage he’s treated us to in recent times.
